German-born, Colorado-based. Editorial fashion photographer. Now you know all there is to know and you can stop reading,

ha! To be fair, those are the most important facts, the rest is just bragging ( come on we all do it, somehow we need to survive in the pool of all the creatives!) with a mix of how I, and therefore you, got here. So let’s start with some more essentials: my work blends cinematic atmosphere with conceptual storytelling, often focusing on the relationship between people, and the environments around them. I’m unapologetic obsessed with architecture so most of my fashion work will shift away from studio sessions and right into areas you wouldn’t expect (you need an example? I just did an entire editorial fashion shoot next to a dumpster, broken glass, and a rundown building).

I began my photography journey with landscapes, but over time my curiosity about human expression, identity, and visual narrative led me toward portraiture, editorial work, and fashion.

My images have appeared in several international publications, including BILD (Germany), Heat Journal, and OE24, where my photographs from New York Fashion Week with The Bureau Fashion Week were featured. Being able to document runway collections and designers in such an intense and creative environment has been an incredibly inspiring part of my journey as a photographer.

Alongside my editorial and fashion work, I develop personal photographic projects that allow me to explore deeper emotional themes. One of these projects, exploring motherhood and the complexity of emotional experience, was recently selected as one of 20 winners in the Los Angeles Center of Photography’s Annual Member Show (August–September 2025). The work was also featured in PJS Magazine’s online exhibition Alienation / Blurred Reality(Summer 2025).

Photography has become more than just documenting what I see. It is the creative outlet I use to process experiences, and emotions. My personal projects allow me to experiment with narrative, vulnerability, and human connection, and these explorations inevitably influence my editorial and fashion photography as well.

I am entirely self-taught and approach photography through experimentation, much curiosity, and storytelling, which is always part of every shoot. Whether I am photographing fashion on a runway, creating conceptual editorial work, or building large-scale sets for personal projects (those are my favorite), I am always searching for images that carry both visual impact and emotional depth.